Beck Mellow Gold Rar Chomikuj Muzyka
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Pink Noise (Rock Me Amadeus) Anna-bass Rachel-drums Tom Grimley-Recording '96 02. Rowboat Lisa-drums Leo LeBlanc-pedal steel 03. Thunder Peel Dallas-drums 04. Waitin' For A Train Ken on vocal 05. The Spirit Moves Me Dallas-drums Leo LeBlanc-pedal steel 06. Crystal Clear (Beer) 07. No Money No Honey Ken on guest vocal 08.
Total Soul Future (Eat It) Dallas-drums Bobby Hecksher-giotar 10. One Foot In The Grave 11.
Aphid Manure Heist 12. Today Has Been A Fucked Up Day 13.
Beck Mellow Gold Rar
'Rollins Power Sauce' 14. Puttin It Down 15. Free wifi apk download. Cut ½ Blues Dallas-drums Bobby-guitar 17. Jagermeister Pie Tommy Recording 18. Dead Wild Cat 20.
Satan Gave Me A Taco Dallas-drums Johnny Cashmachine on backup vocal 21. Tasergun Dallas-drums Bobby-Co-Bassplosion 23. Modesto Lisa-drums Leo LeBlanc-pedal steel Tracks 24 and 25 are unlisted, but EAC listed them as: 24. Bonus Noise EXTRA BONUS. Bonus Noise (Bend Over In The Clover)–- Recorded '88-'93 U.S.A.
Released almost immediately after Beck's first album Mellow Gold, Stereopathetic Soulmanure is a noisier record than his debut, flaunting the experimental rock influences that Mellow Gold only hinted. For the most part, the record is a nonstop attack of noise and fragmented songs, recalling the mid-'80s records of Sonic Youth and Pussy Galore, yet the occasional pop and folk-oriented song creeps in (though none of them are as well-constructed as those on the debut or his third album, One Foot in the Grave, which followed a few months later). I remember hearing this album way back in the mid 90s when it was originally released and I wasn’t so keen. I mean, Mellow Gold had just come out and Beck’s curious lo-fi country ramblings had not yet been cemented into my young mind. However, listening to ‘ Stereopathetic Soulmanure’ now it makes more sense to me than most of Beck’s most recent output. A lazy and haphazard mix of styles, the album sounds like a collection of random taped experiments, rock, metal, blues, country and random noisy skits are thrown together with a total disregard for any kind of coherence, and this is exactly what makes it good.
It’s quite funny how similar I find this stuff now to the other records we’re stocking – Fonal, Last Visible Dog, Soft Abuse, Secretly Canadian, and yet Beck is considered ‘pop’. It only takes one hit I suppose doesn’t it – and he had two biggies with ‘Loser’ and ‘Where It’s At’, so his status was cemented, and these little oddities in his backcatalogue have kept on re-surfacing ever since. If you were a little disappointed by his recent releases then check this out, Beck’s unique take on country, folk and classic rock is still endearing, and this record is a lot more than just a blast from the past.